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The fifth of the twenty-scroll Kasuga-gongen-genki masterpiece depicts the household of a wealthy Japanese individual who has an outdoors slatted-workbench holding a shallow wooden tray and ceramic dish of Chinese origin with dwarf trees, grasses, and stones.By this time Chán Buddhism had been developed in Japan as Zen.

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Generally speaking, tree penjing specimens differ from bonsai by allowing a wider range of tree shapes (more "wild-looking") and by planting them in bright-colored and creatively shaped pots.Chán maintained its more active, vital spirit even as other Buddhist sects were becoming more rigidly formalized.The first highly prized trees are believed to have been collected in the wild and were full of twists, knots, and deformities.Hòn non bộ focuses on depicting landscapes of islands and mountains, usually in contact with water, and decorated with live trees and other plants.Like water and land penjing, hòn non bộ specimens can feature miniature figures, vehicles, and structures.

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